For the last couple of years I’ve been using Spotify as a paid-up subscriber. It’s £10/month in the UK, which is a strong cost:value ratio for the time and various means by which I use it, such as:
- At home, blasting out tracks on my Sonos S5
- At work, where social features & discovery apps help me find new stuff
- On my mobile, where offline playlists provide the backdrop to my travel
And since I no longer play physical CDs, nor use iTunes or other media player (barring web apps such as SoundCloud, Hype Machine, Mixcloud etc.) Spotify has become the main hub and jumping-off point for whatever type of music I’m after.
Spotify leaves it to its users to build, subscribe to and share playlists, their primary organisational schema, however they see fit. But with millions of tracks and carte blanche to curate a personal library of preferences comes a unique challenge: how should one filter, organise and archive their preferences with access to the worlds biggest music collection?
There is no self-populating iTunes-esque ‘smart playlist’ feature, no editorialised ‘recommended playlists’ feature, and until recently there was no way to search playlists without third-party involvement. Users have to come up with their own organisational approach, and I use my patented Star System™. Here’s how it works:
- Play whatever music you want
- Star the tracks you particularly love
- These self-populate a ‘Starred Tracks’ playlist
- Set this playlist to ‘Available Offline’ and they’ll download automatically
- Carry on jamming, removing stars from any tracks if they get boring
- After a period of time, move all starred tracks into playlist of their own
- Release this playlist to the public to critical acclaim!
- Repeat steps 1-7 with a blank slate
So without further ado, here are my Star Mix Playlists for your listening pleasure, along with some tasting notes.
And finally, my current star mix. Subscribe to this one if you only want my new stuff in your earholes. Happy listening!
Had to share this stunning track, discovered via a recent Future Disco show. It’s the sort of music that just lets the mind unfold, encouraging some really powerful comments and imagery to spill out onto the pages of YouTube:
this track changed my life, this is like reborn feeling.
Im shaking and flying all the time.
I can cry and laugh at the same time.
I wonna listen to this song on the moment I die.
You spin my inner universe….thank you forever
i dont know what to do now it has finished
160 quid on discogs to buy. sounds good to me. i wont be playing it tho, il be framing it and putting it up on the wall and buying the mp3 to play. 300 copies in the whole world of this beauty. one of the finest tracks i will ever hear.
omg at :45 i knew i was in for a ride but DAMN
it’s 6am, and the sun is just starting to peak it’s head. the engine is purring on my white ferrarri 355 cabrio. the wind blowing through my hair, relaxed and loose from a night of dancing. i inhale on my last muratti cigarette. as the smoke fills my lungs my brain sharpens and i remember the name of the girl sitting next to me. it’s a fifteen minute drive back to the villa but i wish it could last forever. pure bliss. pachanga, boys. pachanga.
I was trying to make an awesome comment but it’s impossible. Nothing can describe the beauty of this track.
Cattaneo played this song at the end of moonpark last April 14th, and sudenly, without warning, some of my friends and myself looked at eachother, stop dancing and started hugging eachother, some of us even couldn’t help crying, it was a moment I’ll always remember, time stopped, we were there, we were happy, life had a meaning.
Thanks Pachanga boys. Thanks.
When plans for The Shard were unveiled my first thoughts were that its piercing aesthetic would be too harsh for the London skyline. But now it’s been ‘topped out’ and soon to open to the public, it’s time to get used to it.
I heard somewhere that Irvine Sellar, the property magnate behind the tower, intends for his creation to stand for more than 200 years. Well, of course it does, but this concept did the most to shift my perspective.
Imagine how this city will feel in two centuries: totally transformed, utterly modern and yet (hopefully) still uniquely London. The Shard is another step towards an exciting Future London.
To illustrate my point, here’s a video flyover showing the tower in context. Watch closely and you’ll see London’s slow climb towards a cyberpunk sky:
There’s this guy called Matthias Müller, and he makes beautiful abstractions out of virtual dust on his supercomputer. He’s some kind of motion-art superhero, probably sent to us from the exploding Planet 3DS Max by his scientist parents.
In this post I’ve picked out a few examples of his work, because as well as being simply gorgeous viewing material, they’re great examples of what’s possible with a few gigs of RAM, a graphics card and some imagination.
Probably my favourite due to it’s relative simplicity, this tech demo plays with texture in surprising ways:
This next one is so epic! Like an underwater fireworks show of electric choreographed jellyfish, or something…
Watch as millions of particles merge and blend with infinite complexity in this piece of seemingly generative fludity:
This final clip is almost a love story. Watch as two swirling masses collide, explode and dance in time with the music:
An undoubtedly talented guy, Matthias has done commercial work for Honda and Vodafone (as featured last year). His YouTube channel is certainly worth a look, as are his lovely image renders on CGPortfolio.
I can barely get the most out of MSPaint, however…
If I’m to make good on my resolution to blog something every single day, then I currently owe a whopping eleven blog posts.
I ought to get on with it, hadn’t I?
In the spirit of getting on with it, the new Justice video features electro-rockstars Gasparde and Xavier doing exactly that, while preparing for the release of their track ‘Audio, Video, Disco’ from the eponymous album.
The video documents the pair living and breathing their work in the studio at all stages of the track’s life cycle, from conception to critical acclaim. You’ll like it, because it’s confident, it’s awesome, and it’s very very French:
One more post by midnight… time to get on with it!